Say goodbye

I recently bought some beers from my personal favourite brewery, TicketyBrew.

What’s wrong with that statement? As we know, TicketyBrew closed down in early to mid-2018 (May? June?). There was no announcement, so I didn’t get the news till a couple of months later. After that I bought their beers whenever I saw them in shops (which, by that time, didn’t happen very often), and laid in stocks of the three greats – the Pale, the Dubbel and the Blonde – from an online beer merchant which still had a few bottles.

I worked my way through those over the next couple of months, and didn’t think much more about it. It was only the other day – on noticing Grimbergen Blonde, which never fails to remind me how much better TicketyBrew Blonde iswas – that it occurred to me to wonder if any other beer merchant still had any bottles in stock.

And so it came to pass. Sadly, the beers Flavourly had in stock (and still have, at the time of writing) don’t include all the ones I would have liked to stock up on, but the fact that they’ve got any of them, seven or eight months down the line, is worth celebrating.

Drinking them is an odd experience, though. There’s a distinct Mary Celeste quality about TicketyBrew’s closure – this post about their exciting new label designs dates from June 25th this year, by which point I suspect the brewery had already closed; certainly some of the new labels never seem to have made it into production. The impression is strengthened by some of the label copy on the bottles I bought, as we’ll see.

The Dubbel seems to have had a redesign (see previous link), but the bottle I bought came with the old-style label (black lettering on single-colour background with no spot colour, label copy reads “THE TICKETYBREW COMPANY”). As soon as I started to ease the crown cork there was a loud hiss and a thick collar of foam formed in the bottle; some careful work with the bottle-opener was required to avoid any gushing. Once open, it all went into a 355 ml glass without any fuss, though. As for what it’s like, it’s a beautiful beer. It opens with red-berry jamminess backed by malt loaf; at 6.5%, there’s no alcohol burn to speak of, just a pleasant density and warmth. There’s bitterness on the finish, but it’s smooth and unassertive, more like dark chocolate than coffee and perhaps even more like high-cocoa milk chocolate. It’s a really good dubbel, and I hope the world hasn’t seen the last of it. (I know I haven’t, as I bought several bottles, which are stamped BBE Feb 2020.)

Carrying on down the strength scale, the Black IPA – also with the old-style label – comes in at 6.1%, and I’d class it as good rather than great. I drank another black IPA earlier the same evening for comparison, and this one was certainly the better of the two; it just didn’t set off the piney fireworks that I remember from some black IPAs, back when they were new and some were referring to them as “Cascadian dark ales”. What you get is something like a best bitter, but with a smoky, tobacco-like edge, which builds to a charcoal bitterness and an overpowering ‘roasty’ finish; lots of bitterness, then, or different bitternesses. It is good and it is interesting, but it doesn’t score high enough on either count to make me want to bag the remaining stock. (BBE Jan 2019, so if it does appeal to you, the clock is ticking.)

Both Viva La Stalyvegas and Gertcha! are in the new livery, with spot colour (although, oddly, the VLS label has an amorphous blob of colour where publicity photos suggested the number 9 should be); both are listed as being in the ‘Staly Series’, complete with collect-the-set “Stalyfacts” (##1 and 3 respectively; I assume #2 was on the bottles for the US-hopped Yanks for the Memories, which coincidentally was the last cask Ticketybrew beer I ever drank). My VLS, like a lot of TicketyBrew bottles, was on the fizzy side of well-conditioned, but a careful pour into an oversized glass was all that was needed. It’s a 6% IPA and it’s terrific. Citra, Rakau and Ekuanot hops give a complex fruitiness, dominated by grapefruit – particularly on the long aftertaste – but with a distinct pineapple-ish sweetness in the mouth. Interestingly, the label says the beer was based on the Summer IPA, which was made with added pineapple and mango. I was positive about that beer when I reviewed it last year, but noted “I still can’t help feeling I’d rather be drinking an IPA that had got pineapple and mango flavours out of hops and malt”. I guess Viva La Stalyvegas is that IPA. If you like fruit-salad IPAs that don’t compromise on bitterness – and why wouldn’t you? – this is a fine example. (The BBE date for this, and for all the remaining three beers, was Feb 2019.)

The new label system included two-tone labels for short-run beers; one such is the Pink IPA, labelled in two rather fetching shades of pink. The label copy announces that this was the second in TicketyBrew’s “rainbow series of IPAs for 2018”; second and last, sadly. It’s a 6% IPA, like Viva La Stalyvegas; unlike VLS, it was made with fruit additions – strawberry, raspberry and hibiscus, in fact. It’s not pink to look at, though, or particularly fruity to taste. Initially it tastes like a pale ale, albeit with a faint raspberry overtone; something else rapidly takes over, though, and the flavour is dominated by a rather overpowering bitter finish. Being bottle-conditioned (as all these beers are) and close to its BBE date (as most of them are), I wonder if it had dried out since it was fresh. For whatever reason, I didn’t think this one was a success.

The aforementioned Gertcha!, its label featuring a large spot-colour number 11, is a 4% pale ale, and as such falls foul of my scepticism about putting 4%ers – or anything much under 6% – in a 330 ml bottle. The label copy retrospectively sounds a particularly sad, Mary Celeste-ish note:

This is a pale ale which showcases two different hops each month, utilising the hop back. Just check on the Web site to see which hops are in your bottle! http://www.ticketybrew.co.uk/doublehop

Needless to say, that URL won’t get you anywhere now. So I’ve no idea which two hops were featured in the bottle I’ve drunk, but the end result was perfectly pleasant. Like VLS, it’s very much in the grapefruit zone, but with a simpler and more straightforward flavour and a lighter texture to go with it. More of a sessioner, I guess, although that brings us back to the vexed question of bottle size. (Stalyfact #3, in case you’re wondering, is the fact – or rumour – that the Courage advert based on Chas and Dave’s song “Gertcha!” was filmed in Stalybridge Buffet Bar, standing in for an East End boozer of old. I don’t know if it’s true, but it’s a fascinating thought.)

Lastly, Mocha Mild (a short-run beer, also in a two-tone label) is a bit of an oddity. This is another beer with additions: coffee, cocoa nibs and lactose. Uniquely (in my experience, at least), what these sweet coffee and chocolate flavours have to contend with isn’t the depth of an imperial stout or the weight of a porter, but a thin-textured, 3.9% dark mild. The oddest thing of all is how well it works: it doesn’t put you in mind of an Irish coffee so much as a mochaccino, but that’s no bad thing. The beer underneath isn’t swamped as you might expect, but works harmoniously with the additions; as well as giving you a blast of coffee and milk chocolate, they effectively tweak the flavour profile of a dark mild in that direction (and away from the more familiar malt loaf area). I’ve never had a coffee mild before, and I hope this one won’t be my last – although it may well be my last Mocha Mild.

So, farewell then (again), TicketyBrew! Although even this isn’t likely to be my very last look at their beers; as well as a small stash of Dubbels, I’ve held back one each of the Blonde and the Pale, for drinking when the Dubbels are finally down to the last one. (Also, at the time of writing the beer merchant I mentioned has 20+ bottles of all of these beers except for the Mocha Mild, so I might just restock.) As the man said, How can I leave you when you won’t go away?

 

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