Val-de-ree!

Stockport and South Manchester CAMRA’s “Winter Warmer Wander” is often celebrated as a means of encouraging people to go to pubs they wouldn’t usually go to. That’s fine as far as it goes. But in my experience, it also encourages people (e.g. me) to go to pubs where they wouldn’t usually stay, which is a bit different.

Consider a few pubs I’ve visited recently (well, today).

PUB 1 is pleasantly busy, with a hum of background chat from what seems to be a group of regulars. However, the regulars are all in the back bar, and I’m in the front bar – which is empty apart from me and two men who came in shortly after me. One of them exhibits an admirable level of trust in his friend, opening up to him about past and future medical procedures in a way which does both of them credit. Unfortunately he has quite a loud voice – and the front bar is really very quiet.

PUB 2 is a Wetherspoon’s, and it’s rammed. (As, I suspect, it will be from here to Christmas.) I find a seat with some difficulty. Behind me and to the right is a large group – two families or possibly three – having lunch; at least, the adults are having lunch. One of the children has recently been introduced to the concept of the “high five” and is keen to gain practice in using this gesture in a social setting. Over the background noise of conversation I can hear:

“High five!”
“High five!”
“High five!”
“High five!”
“High five!”
“High five!”
“High five!”
“High five!”
“High five!”
“High five!”
“High five!”

It continues.

After a while one of the adults decides to introduce a bit of variety by making a game of it, presumably involving ‘low’ as well as ‘high’ gestures. The result is slower-paced and more varied, but just as relentless; now I can hear

“High five?”

“Scuba dive!”

“High five?”

“Scuba dive!”

and so on.

And on.

PUB 3, to be fair, was fine, and PUB 5 was a delight.

PUB 4, though… PUB 4 has a small front-of-bar area and two back rooms, one reserved for gigs and the other full of people – as indeed is the front-of-bar area. Waiting at the bar, I realise that the three people ranged along it in front of me are not in fact three strangers but a group; a moment later I realise that they are not standing waiting to be served but have installed themselves on bar stools. Although they are a group – making me feel as if I’m invading their space when I move between two of them to look at the beer pumps – they have positioned their stools so as to keep a respectful distance from one another, and are consequently taking up most of the length of the bar. I find a space at the other end of the bar and wait while they get served. They have ordered three pints, plus three pints of tap water; they are clearly settling in for the long haul. I order my half of Winter Warmer-fuel, get served, pay, ask for the obligatory sticker, etc, and glance round to see how the bar-hogging trio are getting on. All three of them are sitting in complete silence, pints untouched, staring at their phones.

I go in search of somewhere else to sit down. As well as the main rooms, I remember coming to PUB 4 once before and spending a pleasant quarter of an hour in an upstairs room (with a beer and something to read, let’s be clear) – a memory which was only slightly marred by the fact that I slipped on the stairs afterwards and sat down rather hard. I negotiate the stairs but find that the upstairs rooms are locked; in fact they appear to have been converted for staff use. I head back down, half-pint in hand. On the last step, just as I congratulate myself on making it down the stairs unjinxed by past bad luck, I step down and realise that I was actually standing on the last step but one; I keep my footing but land very hard, splashing the wall liberally with beer. I decide to find an unoccupied patch of bar and finish my drink before anything else can happen. Finishing my beer, I feel that a swift exit is in order; I tip the last mouthful of beer into my mouth, put the glass down, turn and head for the door, planning to swallow the last of my beer as I’m walking out of the door (it’s called multi-tasking). Unfortunately some beer has gone down the wrong way and I cough explosively just before I reach the door, spraying a table of drinkers. I mutter an apology and make an even swifter exit than I had planned.

Would I have stopped for a drink in PUB 1, 2 or 4, if I hadn’t been in search of Winter Warmer Wander stickers? I think not. (PUB 4 didn’t even have a stout or porter on, let alone an old ale.) Would any of them have missed my custom? PUB 1 maybe; the other two, definitely not. (I couldn’t find anywhere to sit in PUB 3 either; even the deceptively spacious PUB 5 was pleasantly busy.) As I’ve said before, considering that part of the point of ‘trails’ like the Winter Warmer is to spread the custom around by sending people to different pubs, it seems odd that we do this one in the run-up to Christmas, a time when a recurring complaint about the pubs we go in is that they’re too full.

That was certainly my main complaint today – and I know from experience that PUB 4 and even PUB 2 can be perfectly delightful places to spend some time, when the crowds aren’t out. Some people like busy pubs, admittedly – but does anyone really enjoy dropping in on a busy pub?

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How much is that pint on the menu?

A brief note about a curious experience we had in Manchester the other day.

The other half & I were in the market for a meal before going to the cinema, and decided to aim a bit higher than Spoons. (I won’t name the place we went to, but it was – as the ads used to say – Five Minutes From This Cinema, ‘this’ being the OdeonVue in the Printworks.)

The meal, although not fancy, was very nice indeed – it’s good to be reminded sometimes what a hamburger tastes like when it’s been made from scratch. What it wasn’t was lavish; the burgers, while perfectly adequate, were on the small side of large, and my wife’s salad had been portion-controlled to within an inch of its life. My chips were served in one of those odd metal canisters (a small vase? an ornamental tin can?), which appeared to have been quite generously filled; on inspection, however, the chips were sitting in a small greaseproof paper bag which was perched in the neck of the canister, the bottom half of which was completely empty. It was fine – I didn’t go hungry, and the quality of the food was excellent – but it did give the impression that they were trying to make a little go a long way.

As for beer, the drinks menu had several bottles and cans in the £3-£5 range, including a couple from small brewers. I fancied something bigger than 330 ml, though, so I looked at the ‘draught’ section – and was surprised to see that ‘craft ales’ [sic] were on offer. Getting our waitress to tell us what they actually were took several questions (on my part) and a bit of running back and forth (on hers), but eventually I was served with a pint of RedWillow Faithless – presumably the latest (#91), as it was a hoppy bitter. Rather to my surprise, it was on cask; it was in good nick, too, and went well with the meal.

At the end of the meal we were in a hurry to get to the pictures, so didn’t worry too much about the bill; the total sounded about right, so we paid up and scarpered. The curious experience came later, when we got the bill out to check what we’d paid for what. For my beer – a pint of a high-quality short-run beer from a well-respected local brewer, on cask, in a restaurant – I’d paid £3.85. £3.85! You could pay more than that over the bar in Chorlton; come to that, you could pay more than that for a bottle of lager in Nando’s or Pizza Express. And this in a restaurant which clearly had a policy of not leaving any money on the table (or on the plate) as far as food was concerned.

I’m not saying that £3.85 is cheap in pub prices, let alone that it’s too cheap. But £3.85 in a restaurant – and a restaurant that wasn’t giving anything away otherwise – for a quality beer like that…! I can only imagine that the restaurant’s paying a correspondingly low rate to the supplier – and I can only imagine that they’re doing that because of a perception that cask beer has to be sold cheap or not at all.

I’m all in favour of a £4 ceiling, and of keeping beer affordable generally. But there are bound to be exceptions, and I think the kind of restaurant where a burger costs a tenner could legitimately be one of them. The fact that, in this case, it wasn’t an exception – although they did feel free to charge ‘restaurant’ prices for beer in cans – makes me wonder if some of our campaigning on behalf of cask has been too successful, or if it’s succeeded in the wrong way.

Palely loitering

A couple of recent pub experiences have set me wondering about the health of the ‘craft’ scene.

One weekday prevening, I stuck my head in a bar nearby for a Swift Half On The Way Home. A Swift Half, etc. – not to be confused with the end-of-evening Half Of Something Silly – is for when you want to get a drink down and be on your way (home); hence a half rather than a pint. As you are just stopping for the one half, it needs to be strong-ish, and preferably have a reasonably definite flavour; you don’t want a beer so light that you end up necking it and looking for the other half. Where the typical Half Of Something Silly would be an imperial stout or a barley wine at silly%, the ideal Swift Half would be a bitter or a porter between (say) 4.8% and 6.8%.

But you can’t always get what you want, and on this occasion the bar in question came up short. Across four cask and three keg taps, they were serving a barrel-aged imperial stout, a blonde, a session IPA – and four separate pale beers, two of them showcasing the same hop. Mostly they were light in strength terms as well: apart from the stout (which had Half Of Something Silly written all over it) only one of the seven cracked the 4.5% mark. I appreciate that you’ve got to stock what sells, and maybe that is what the beer-drinking public around here is crying out for. Seems a shame not to have a bit more variety, though, in strength as well as style.

In another bar last night I had two beers which, on the face of it, couldn’t have been more different – a plain old straight up and down IPA from Tiny Rebel and a collab between Wild and Fuller’s. The latter was listed on the blackboard as a ‘Somerset pale’, but the pump clip told a different story: it was a grisette. Or rather, a green-hopped grisette. Specifically, an oak-aged green-hopped grisette.

What were they like? They were fine. Or rather – let’s not damn with faint praise – they were both good, complex, interesting beers, which I’d be happy to order again. If I’ve got anything to moan about here, it isn’t quality. But, while I’ve only had one grisette before, that one tasted a lot more like what the style sounds like. If you take a grisette and deliver it straight, I suspect you’ll end up with a bit of a niche product – but if you take a grisette and add the acrid zing of green hops, then age it on wood for body and mellowness (or maybe the other way round, I’m not a brewer), what you end up with is… well, a lot like a contemporary pale beer. Which is also more or less what you get if you take an IPA and soup it up [sic] with the East Coast of the USA in mind – fruit-salad hopping, creamy texture, minimal bitterness… I’m not saying both these beers arrived at the same destination, but they certainly wound up in different districts of Contemporary Pale City.

Where’s the innovation coming from – who’s producing something really different? (Pastry stouts? Fruit IPAs?) Alternatively, is innovation not what’s going to sell right now, in an increasingly competitive (i.e. cash-strapped) marketplace – is the dial going to stick on ‘pale’ now, just as it stuck on ‘brown bitter’ for all those years?

 

Some beers in

I’m a bit of a solitary drinker – particularly at home – and I like a bit of variety, even if it’s only alternating Landlord with Proper Job and Ghost Ship. So the only quantity I usually buy bottled beer in is 1. I have occasionally wondered what I’d offer a beer-drinking visitor – or rather, not what I’d offer them (I’d offer them a beer, quite clearly) but how I’d phrase the follow-up question: “What would you like, there’s a Boltmaker and a Harbour Pale and an ESB and an 1845 and a Champion, it is a bit strong that one, although you’re welcome if that’s what you fancy, or if you want a smaller beer there’s an Old Tom and a Duvel and a Guinness Foreign and… What am I having? No, you choose first, I really don’t mind…“. But I only ever seem to meet beer-drinking friends and acquaintances in pubs, so as yet the problem hasn’t arisen.

So I’ve never really “got some beers in”, or not until recently. My first multiple buy was around the beginning of the year, when I bought six bottles of Greene King‘s limited-edition bottle-conditioned Vintage Fine Ale after being rather impressed by the first bottle. This wasn’t a huge success, as I promptly went off it; too malty, too heavy, too much like beer with a cough-mixture depth charge (I imagine). That said, I’ve gradually worked my way through the batch since then & can report that it’s starting to dry out; by the time I get to the last bottle it should be pretty good.

More recently, there was the Aldi promotion which saw bottles of Holden’s XB, Felinfoel Dragon Heart and – in at least one store – Dark Star Hophead going cheap. I bought six of each – why wouldn’t you? Shortly after that we got the sad news about TicketyBrew, which naturally made me want to grab whatever beer of theirs I could still find; an online beer merchant obliged with six bottles each of the Pale and Blonde, and four of the Dubbel. The same retailer had a deal on Tynt Meadow – six for the price of five – so I went for some of those as well.

So for the time being I haven’t just got beers, I’ve got a stock of beers; I can get out a couple of beers, or have a beer and replace it with an identical example of the same beer. It’s a novelty. The main use I’ve made of it is to drink nothing but Hophead, at least as far as low-strength beers in large bottles goes; any time I fancy a pint of bitter, or the closest thing to it in a bottle, I’ve gone for the Hophead. It’s given me a distinct sense of what a pint of bitter tastes like: loose in texture, thin yet oddly oily or soapy; strongly aromatic, herbal (rosemary? sage?); a fresh-tasting attack, sharp but not sour enough to be citric; then a long, bitter finish, persisting almost long enough to be unpleasant, then fading away, leaving your mouth dry and ready for a repeat.

It’s a lovely, lovely beer – and it is, quite definitely, what bitter tastes like. Although I may feel differently when I’ve drunk nothing but XB for a couple of weeks. Watch this space…

UPDATE Three weeks and six bottles of XB later, I can confirm that what a pint of bitter tastes like is… hard to describe. It’s not a complex flavour as such, it’s just hard to pin down. What you taste to begin with isn’t sharp or citric, it’s not strongly bitter and it certainly isn’t aromatic – but I wouldn’t call it bland, either. It just tastes like beer – or rather, it feels like it tastes how beer ought to taste. Perhaps the texture is what’s most striking to begin with; it tastes heavy, like a much stronger beer. It’s not especially sweet, though; it certainly doesn’t taste ‘malty’ or have that slug of caramel you get with some stronger old-school beers. The finish is much easier to describe: it’s bitter, in a complex, lingering way; not tannic (yet another negative!) but herbal, medicinal, a clean-tasting contrast to that heavy start. It’s then that you really taste the sweetness of the beer, in an odd sort of front-of-mouth aftertaste. Like the Hophead, it’s very much a session beer – one mouthful sets you up for another – but in a very different way; I don’t know when I’ve drunk a pint (well, 500 ml) so quickly while being so unsure what it was I was tasting. Lovely stuff. Not like anything else (apart from Batham’s), but lovely stuff. Now for the Felinfoel…

UPDATE Another three weeks and six bottles down, and I can confirm that what a pint of bitter tastes like is, in fact, remarkably easy to describe. It tastes like beer – you know, beer, that brown stuff, puts hairs on your chest. Beer. Beer like it always was. When brown meant beer, and darker meant sweeter but also stronger… You wouldn’t say ‘fruity’ exactly, and ‘malt loaf’ isn’t quite what it is, but if you take granary bread on one hand and damsons or black cherries on the other, and aim for somewhere right in the middle, you’d be about right. It’s well-conditioned and lively, but it’s big – heavy-textured almost to the point of tasting thick. No surprises – this isn’t one of those beers that do one thing on the nose, one on the tip of your tongue, another in your mouth and another again in the aftertaste; what you taste is what you get. It’s brown, it’s heavy-ish, it’s sweet-ish, it’s strong-ish… it’s beer.

Světlý ležák

We spent a few days in Prague earlier this month – I was there for work and my wife was tagging along. Never having been to Prague – or anywhere else east of Berlin – I asked around on Twitter, then took the plunge and shelled out for a copy of Max‘s book on the subject. Which, if I’m honest, I found first overwhelming and then frustrating – so many bars were described in glowing terms, and I had so little time! To make matters worse, Max doesn’t rate pubs on standard tourist guidebook criteria, but only on whether they’re nice places to sit and have a pint of something decent and maybe something to eat – and OK, fine, that’s how I rate pubs myself, but how was I ever going to find the Top Five Utterly Unmissable Pubs Of Prague that way? Max doesn’t even go into much detail about the beer – some breweries are better than others, but at the end of the day it’s just this pale lager (světlý ležák), only apparently it’s really satisfying in some way… Baffling. Feeling rather stymied by the whole thing, I set up a Google Map with a semi-arbitrary top 28 pubs (and getting it down to 28 was quite hard enough), and trusted I’d be able to work out an itinerary or two on a quiet evening.

Then life intervened; running downstairs to check something on the morning of my departure, I slipped and fell hard on my back. No real damage was done – I can still feel all my toes – but it was not at all comfortable, then or afterwards; two weeks on, it’s subsided to the level of a permanent nagging backache. Adrenalin got me through the journey to Prague; once there, though, anything more than a half-mile walk was rather challenging. My view of Prague was perhaps slightly jaundiced as a result – although when it was good, it was very good.

On our first night we ate at a restaurant called Poja, which was quite near our flat in Žižkov and served beer from the Ježek brewery. The brewery’s name means ‘hedgehog’; there’s a picture of a hedgehog on their logo, with a slogan that seems to translate as ‘beer with spines’ (it probably works better in Czech). And it’s true, the beer wasn’t quite as smooth as I was expecting; a distinct aroma-hop spikiness came through, not entirely in a good way. I ordered what was described as a potato pancake (bramborak) stuffed with meat, reasoning that I’d get a crepe made with potato flour or something. I thought it couldn’t possibly be what I understood by a potato pancake – i.e. a Kartoffelpuffer or latke, grated potato bound with egg and fried; I mean, you can’t make one of those big enough to roll up and stuff with meat, can you? It turns out that you can in fact make Kartoffelpüffer the size of a dinner plate – and they do. It was very nice but a bit overwhelming, what with the assorted meat filling and the mound of grated cheese on top; after that meal I don’t think I felt hungry again until we were back in Manchester.

Lunch on the second day was at a pub about three-quarters of a mile from my work venue, which I realised halfway was a bit of a long haul in my condition at the time. Specifically, I went to U Sadu, where I had halves (well, 300 mls) of (their own) Sádek 11° and a Klášter 12°. (For an approximate ° Plato to a.b.v. conversion, divide by two and then subtract one – so roughly 4.5% and 5% respectively.) Both were good, but the (unfiltered) Sádek… perhaps I was thirsty, but the only way I can describe it is to say that it drank itself. I sat down, I looked at the food menu, I looked at my glass – 2/3 empty. Philip Larkin wrote a poem about the difficulty of getting enough to drink at receptions; it begins

I never remember holding a full glass
My first glance shows the level halfway down

That was me and Sádek – and it wasn’t the last beer in Prague to have that effect.

As for food, still being half-full from the night before I scoured the menu for something light and came up with “Švejk toast” – toast with egg and bacon. (The waiter was quite disappointed – “Is that all?”) Švejk toast turned out to mean two slices of rye bread, fried till crisp (possibly deep fried), then spread with mustard and topped with two fried eggs and a couple of rashers of bacon (all fried together), which in turn were hidden beneath a pile of chopped tomato, onion and pickled cucumber. Basic, maybe; light, no.

We just had a sandwich that evening.

The next day, still feeling of rather limited mobility, I had lunch at U Jary – which wasn’t on my list but was basically the closest pub I could find that I hadn’t been to. On finding it I was pleasantly surprised to see a sign advertising Pardubičky Porter (I’d been meaning to try a dark beer), then pleasantly startled to realise that I was at the bottom of the street with our flat on it. (Not that it was any use to me – my wife was out sightseeing, with the only key.) But what was the beer like? Most beers at U Jary are from Pernštejn (of Pardubice); I had a 12° světlý ležák called Premium, described on the menu as bitter (hořký), followed by a 13° amber beer called Granát. I chose this after chickening out of the porter on realising that it was 19°, which is to say 8%; some over-hasty mental maths convinced me that this would be like having five halves instead of two. (It’s strong, but it’s not that strong.)

Anyway, both the beers I did have were beautiful – and went well with the pork in paprika sauce from the à la carte menu (which cost less than the previous day’s Švejk toast) – but the Premium stands out; it positively threw itself down my throat. The Granat was, perhaps, more subtle and interesting – it was certainly more complex – but the relative cleanness and simplicity of the Premium somehow elevated it to another level. Back at the flat at the end of the day, I checked Max’s guide and discovered that he rates U Jary very highly. I don’t know why it wasn’t on my shortlist; I’m just glad I found my way there. (And embarrassed at how little Czech I know – going in completely cold, I found it wasn’t the nouns and adjectives I really missed so much as words like “and” and “the”. Still, I did manage to order two beers and a pork (vepřové) dish, without being asked to repeat everything in English, so I’m pleased about that. (I didn’t go near that ř sound – just treated it like a ž.))

That evening we went to another nearby restaurant, U Slovanske Lipy, where I had what would have been my second choice at Poja – roast duck, red cabbage and dumplings. The dumplings were bread-based and not particularly enticing, and the duck was well done going on charred; the meat tasted lovely, though, and it went really well with the red cabbage. But what about the beer? Half a litre of a 12° from Vedova did the now-familiar disappearing act; I remember saying to my wife that it was a bit like drinking water when you were thirsty, only more so. I followed it with a dark beer from Šnajdr, a pleasant light stout which gave me an instant earworm.

The next day we were leaving, but before we went we hit the Old Town. Now, I’ve been to Paris, I’ve been to Florence, I’ve even been to London, but nowhere have I ever seen such a concentration of tourists, over such a wide area. The entire pedestrianised area of the Old Town seemed to be entirely given over to tourists, who were out in force. To say that local businesses had adapted to these conditions would be an understatement; wherever you looked there were sweetshops, coffee shops, ice-cream shops and souvenir shops, and very little else. Prague is a cheap city if you’re coming from the West – presumably for historical reasons – but prices in the Old Town have adjusted to the influx of tourist euro, dollars and pounds. Whatever a beer, a coffee, an ice-cream cost in Žižkov, you could guarantee that in the Old Town it would be twice that, while still seeming reasonable relative to prices ‘back home’. (Two pounds for an espresso instead of one? Can’t complain really, can you?)

The architecture is beautiful and historic, but the lack of anything resembling real life, the relentless price-gouging and – most of all – the sheer number of people got to me after a while. The nadir for me was the Charles Bridge, which we crossed in what might as well have been a ten-wide marching column. Once over the river and into Mala Strana, we stopped for a drink at a bar specialising in beers from the Clock brewery; I had the desítka Hektor. Not far beyond that, the pedestrian zone ended and my spirits lifted – not that I’m a fan of cars and trams, particularly, but it was nice to see that the architecture and the history could coexist with ordinary Czechs going about their business.

We crossed back over the river by the Legions’ Bridge and had our final Prague meal at a Pilsner Urquell Original Restaurant. Just as I had at U Sadu, we both found ourselves combing the menu for something smaller than a full meal. In what was basically a ‘bar snacks’ section (“Between Beers”) we discovered the makings of an ample, indeed fairly hearty, lunch: pork sausages baked in a tomato and paprika sauce for me, pickled pork sausages (utopenci) for her and a bowl of fries between us. (How do Czechs manage it? Nobody we saw seemed particularly fat.) And the beer? The beer was divine; all the cleanness and uncomplicated drink-me goodness of the best beers I’d had, plus a hit of herbal bitterness in the aftertaste; I’m not saying it was the best beer I had in Prague, but it was certainly in a four-way tie for first.

So that was Prague. If I’d been more mobile I might have done more than scratch the surface. Perhaps some time I’ll go back and do it properly, although I’m not sure what I’ll do between beers – the thought of sight-seeing in Prague doesn’t make my heart beat faster, except perhaps with panic.

Postscript: a brewery recommended by Max, whose beers I regretted not trying, was Svijany; I regretted it all the more because there was a bar serving them right across the street from our flat, and normally it would have been the easiest thing in the world to wander across for a 13° nightcap. At the airport we were doing the usual thing of using up our coins in the shops, when I spotted some cans with the Svijany logo. I bought one – it was only about 50% more expensive than it would have been in a bar – and brought it home in my hand luggage. A few nights later I opened it. The first impression was both sweet and sharp, but this settled down into something more familiar and clean-tasting; a really nice beer, even out of a can. Max was right: světlý ležák is a plain, simple, straightforward style, so much so that it’s hard to say what’s good about it – but a decent světlý ležák is a really good beer.

Goodbye, TicketyBrew

The ‘free advertising’ side of beer blogging has never sat well with me (although I’ve taken, and written about, the odd freebie over the years). I often catch myself writing about having a particularly nice pint of Scruttock’s Best down at the Pig and Whistle, and think, is that the stylishly-refurbished Pig and Whistle with a wide range of artisan gins and food service from 12.00 till 9.00? good old Scrut’s, with its surprisingly fruity note that lingers on the tongue? Not really what I’m about. Not unless they were paying me, and in that case it definitely wouldn’t be what I’m about.

But there’s one brewery I’ve made an exception for, almost since the first time I encountered their beer; there’s one brewery which could always count me as a dedicated and vocal fan. I’ve referred to TicketyBrew in 35 posts on this blog, going back to 2013, including seven posts devoted to their beers alone. It started in July 2013, when I nominated their Pale, on cask, as my beer of the year; I didn’t think I’d taste anything better in the remaining five months of the year – and as it turned out I was right. I wrote: The aromatic wallop of a good contemporary pale ale runs head-on into the soft herbal richness of a Tripel, and they dance. Which still seems about right. On cask, the Blonde was pretty amazing too – not to mention the Jasmine Green Tea Pale, the Golden Bitter, the Invalid Stout, the Marmalade Pale… On keg and in bottle, there was a really nice Dubbel, a superb Tripel, the East India Porter, the Rose Wheat, the Rhubarb Weiss, the Ginger Beer and some terrific hoppy pales… the list just went on. Not to mention more or less experimental styles – Munchner, Grodziskie, Mumme – and dotty one-offs like Marmite Stout or Tea and Biscuits Mild.

Golden Bitter, Invalid Stout, Marmalade Pale, Rhubarb Weiss – it feels like I’m reeling off lists of ancient paintbox colours or weird Victorian sweets, rich, mysterious, unattainable. And I’m afraid that unattainable is what they are. Duncan has wound up the brewery and the company; his partner Keri, who left a career in marketing to start TicketyBrew back in 2013, has gone back into marketing.

I’m really sorry they couldn’t make it work. In the last couple of years TicketyBrew had had all-new brewkit, taken on new staff (the last time I saw Duncan he was complaining about how little brewing he got to do these days) and even had a redesign. Distribution didn’t seem to be a problem, either. When I saw the Blonde and the Pale in Wetherspoons fridges across central Manchester – and particularly when I ordered a Blonde for my Leffe-drinking son, and saw his reaction – I thought they were set up. Perhaps appearances were deceptive. For whatever reason, it doesn’t seem to have worked out.

I wish both Duncan and Keri all the best – and I hope this won’t be the last the world of beer hears of Duncan. Not all of the styles he tried his hand at were equally successful, but his hit rate was ridiculously high. The East India Porter, the Green Tea Pale, the Golden Bitter – in fact, almost all the beers I’ve listed – were solid, solid beers, and a couple of them were classics: I’d put the Pale and the Blonde in that category, as well as the Dubbel and the Tripel.

Looking more broadly, I guess this is another example of a small brewery falling by the wayside, like Quantum and Offbeat. Only this isn’t just another small brewery – this is TicketyBrew, with the mad bottle labels and the pump clips you could spot from the street (very handy, that’s been) and the ‘Pale’ that was like a cross between a Tripel and a best bitter and the Stout that tasted of black treacle and the ‘Manchester Tart’ that actually tasted of Manchester Tart, and the small bottles for everything and the first few large ones just coming in (9% in 750 ml, really?), and the Invalid Stout with real liquorice and the Marmite Stout with God knows what (probably not real Marmite), and the Blonde that me and my German friend got absolutely pasted on and the way the Pale was right at the start and that amazing Seville Orange Pale, and the bottled Blonde that was probably a bit over-primed and the Grodziskie that practically exploded (Polish champagne, they call that), and the cherry Weiss and the rhubarb Weiss and the Citra Pale that was just as good as anyone else’s Citra pale, and the, and the…

I’m really going to miss them.

TicketyBrew, 14/2/2013 – ??/5/2018

Adieu, adieu, TicketyBrew
Image credit: Beerbods

Glass, Traps

“That old bit of land? It in’t pasture, that’s for sure… ‘tin’t grazing… I could go on…”

Why yes, since you ask, that is a glass of Tynt Meadow dubbel (a branded Tynt Meadow glass, in fact, although that part isn’t obvious). Bottle and glass are both rather nicely designed; note in particular the die-cut bottom edge of the label, showing the skyline in (presumably) the eponymous meadow. The projection to the left of centre is the abbey of Mount St Bernard, which I think is also what the logo on the glass schematically represents.

Mount St Bernard? Cistercian monastery in Leicestershire. Not ancient, for obvious reasons, but pretty well-established; it was founded in 1835 by a group of monks who had left France following the post-Revolutionary suppression of monasteries there. Cistercian monks have been there ever since (it’s now the only Cistercian monastery in Britain) and they’ve recently started brewing beer. I say Cistercian; you could also call the order Bernardine, or indeed Trappist.

YES IT’S A TRAPPIST BEER! TRAPPIST BEER IN ENGLAND!! ENGLISH TRAPPIST BEER!!!

When I spotted this beer in the fridge at the Head of Steam in Durham, I was initially going to leave it – I quite liked the idea of being able to say I’d spotted it, and putting off actually buying it for another time. (Also, it’s brand new and wasn’t listed in the beer menu, and I hate buying things without knowing what they cost.) But curiosity overcame me in the end.

What’s it like? First impressions weren’t massively favourable, I have to admit. The picture doesn’t lie: not a lot of condition – certainly nothing resembling a head – and a liquid that was frankly murky. (Perhaps it needed another few weeks or months for the yeast to settle out properly, and/or for conditioning to develop. It’d be interesting to keep a bottle for a while.)

Taste, though? Really nice; more importantly, really interesting. It has a lot of the caramel-backed oomph of a dubbel like Westmalle, but more bitterness and, I think, more complexity. This may be autosuggestion, but to both me and my companion it tasted ‘English’; there’s something of the way that a dark old ale develops into herby and medicinal territory, as well as a bit of stouty roastiness on the finish. This isn’t an imitation of any other beer; it’s a distinctive take on the Trappist dubbel sub-(sub-?)style, from what looks like being a really interesting brewery. I’m going to have to get hold of some bottles to drink at home, though, both for ageing purposes and just to be able to drink it a bit below room temperature rather than fridge-cold – chilling doesn’t do this style of beer any favours.

Distribution shouldn’t be a huge problem; this beer’s appearance in the Head of Steam presumably means that James Clay are on the case. I wouldn’t have jumped to this conclusion at one time; compared to other bars trading under that name, the Durham Head of Steam used to be a rather different, and rather superior, proposition. A couple of months ago I was rather uncomplimentary about the newish Didsbury branch, comparing it unfavourably to the Durham HoS

where the wine is finished off with fables from an old almanac

sorry, wrong quote (although the mood is the right one)

[where] I’ve spent many a happy lunchtime … getting quietly smashed on ludicrously expensive Belgian beer

Didsbury? beer descriptions … [that] seemed to have been downloaded from somewhere or other into a fixed-format template, with the result that almost all of them cut off with a string of dots; bar staff who, frankly, didn’t know their beer; the same ‘chain’ food menu as (e.g.) the Liverpool HoS; generic glassware with just a couple of ‘special’ glasses. Durham? Huge, properly curated beer menu; friendly, obliging bar staff who really knew their beer, Belgian beer in particular; the right glass for the right beer, without fail (something you hardly ever see in this country, even in self-styled ‘Belgian’ bars); and a short but individual food menu.

Well, now that’s finished; you’ll never see the Durham HoS (as it was). The powers that be at Cameron’s have obviously brought Durham into line with the rest of the chain: same food menu, same “guy on the Internet says” beer menu, same interchangeable bartenders with good people skills but a cavalier approach to glassware. (For our first round we ordered an Achel and a Spencer, which came with glasses branded for Duvel and La Trappe respectively; I wasn’t sure the Achel was going to benefit from the Duvel ‘thistle’ glass and got it replaced with a ‘chalice’ glass – which was branded Westmalle.) On the plus side, the beer range is still superb – and, as you can see, my Tynt Meadow did come with the right glass, as indeed did my companion’s Straffe Hendrik Tripel.

It’s certainly not the first time I’ve had a dubbel and a tripel in one visit to the Head of Steam, and probably not the first time I’ve had two Trappist beers. It is the first time I’ve had two Trappist beers from two different breweries outside Belgium – let alone from two different breweries in the English-speaking world. (As for the Spencer, it was fine, but not very special.) But then, that wasn’t possible before 2018 – in fact, it wasn’t possible before the 9th of July 2018, ten days ago. Yes, it’s Oh Good Ale, your source for breaking news in the world of beer!

NB other sources are available. Seriously.

Around Manchester on a half of mild – 4

At last, the long-awaited, and only partly forgotten-about, final instalment of my Mild Magic 2018 travels.

As noted last time, I’ve identified six recurring Themes in my visits to (mostly) unfamiliar pubs, most of them not particularly cheerful:

  1. Not Enough Drinkers
  2. Too Many Beers
  3. Pub Food Is Dead
  4. Spoons Has Pros and Cons
  5. There Are Still Pubs
  6. Craft Is Everywhere

Also, I’ve written about 36 pubs – no fewer than 30 of which had a mild on – and got up to the letter S. The home straight beckons.

Smithfield, Manchester city centre
I’ve had good experiences at the Smithfield before, and this visit was no exception. While I couldn’t exactly say I remember the cask mild they had on, I remember liking it at the time; on balance it was a bit more successful than the bretted strong IPA on keg that I followed it with. For lo!, the Smithfield is a Pub That Does Both, and does ’em well. Food had been a bit of a contentious issue for me the night I was there (see Crown and Anchor); the Smithfield offered bar snacks, in the (slightly eccentric) form of hand-made pork pies stored in a large glass jar. I ordered one and was pleasantly surprised to find that (a) it was bigger than it looked in the jar and (b) it came on a board, complete with a knife, a dish of pickles and a choice of mustard. It was a fine pork pie and went well with both beers; my only slight regret was that it wasn’t quite a full meal (see Piccadilly Tap). Great pie, great beer, great pub.

Smithy Fold, Glossop
Glossop was my last stop on a long trail involving multiple beers and multiple forms of transport (see Harewood Arms, Cheshire Ring, Joshua Bradley etc). My recollections of this large, unusually quiet Spoons are consequently rather limited. I’m pretty sure they had a mild on, though.

Sportsman, Hyde
“It’s an oddity, the Sportsman, as it doubles as the Rossendale brewery tap and a Latin American restaurant,” I wrote in 2015. Relations with Rossendale are currently strained, but the Latin American food is going strong; this time round I had the place pegged for a lunch stop. Once before I’d found the pub completely deserted – including the bar area – and had to go out to the kitchen at the back to ask where everyone was; this time, there was someone behind the bar, but the kitchen was rather conspicously silent. I asked about food and was told, “she’s just popped out to Morrison’s”. I decided to have a pint rather than a half. The Sportsman has two bars, both served by the same central bar area; all the handpulls are on the carpeted ‘lounge’ side, so that’s where I went. After ten minutes or so the cook made it back with her shopping and orders could be taken. At this moment, the lino-floored ‘public’ had a bit of a rush on, with the arrival of a group of lager-drinking regulars – all of whom, by Sod’s Law, also wanted food. All told, it was the best part of an hour between my arrival at the pub and the arrival of my Cuban Sandwich (which was essentially a cheese and ham toastie, heavy on the mustard). Which was very nice – and good value – but also, by that stage, very welcome. File under Pub Food Isn’t Dead Exactly, But Sometimes You Can See The Appeal Of Spoons.

Station Buffet Bar, Stalybridge
I’m not going to describe the Buffet Bar; if you don’t know what it’s like, that can only mean you haven’t visited, and you really should – it’s a great little pub. (Also does trains!) The bartender apologised for the condition of the Howard Town Milltown Mild, which was approaching the end of the barrel – it was a bit ‘slack’ but basically fine. I followed it up with Ticketybrew Yanks for the Memories, a session-strength IPA with American hops and an awful name. My timing was clearly out, as this was approaching the end of the barrel as well – but, even warming up and losing condition, it was absolutely superb. I had a 6% keg IPA from Marble that evening; when I finished it I could still taste the Ticketybrew.

Tim Bobbin, Urmston
No mild at this Spoons, and a very long hunt for stickers; by the time the sheet had been located I’d finished my half. Leaving the pub, I found I was looking directly at a very ‘crafty’ bottle shop (with, I think, some kind of ‘on’ licence) called Brewtique. (Theme 6: Craft Is Everywhere.) Spurning its charms (well, I did stick my nose in) I went 100 yards down the road and had a half at the Prairie Schooner, which was pleasantly busy that prevening; I had a ‘blood orange IPA’, from Moorhouse of all people. The rebrand, the Greene King tie-in and now this – what’s happening up there?

Tweed Tap, Hyde
A micropub with three or four people in feels pleasantly busy, which can’t be said of a full-scale pub (see Park Inn). Unfortunately a micropub with no bugger in at all (see Grove Alehouse, Malt Disley) feels much the same as a full-scale pub, ditto – perhaps even worse; in most pubs you can at least tell yourself that there might be somebody round a corner. I had the Tweed Tap to myself, despite it being a sunny Saturday lunchtime. The Chester Mild was really good, though – and in good nick, so somebody must be drinking it some time.

Victoria, Withington
Going back to the Vic now I see no trace of the big single-room boozer I used to go to in the mid-80s – no bellpushes, no white-coated glass collector; nobody remembers the sharp-edged bright yellow bitter I used to drink there, either. (Unless I was on lager in those days? That would explain a lot.) Anyway, what I do see when I go to the Vic now is the same pub I visited for last year’s Mild Magic, and the year before that, and the year before that (to say nothing of the Winter Warmer Wander) – which makes my memories of any particular trip a bit less than vivid. The dark mild’s OK, even with its terrible name.

Victoria Lounge, Glossop
Looks like a backstreet pub until you get inside, whereupon it turns into a rather opulent hotel lounge; also, seems larger on the inside. No mild AFAIR, but the beer was fine, if a bit more pricey than I was expecting in Glossop (although, to be fair, I had just come from a Spoons).

Waterhouse, Manchester city centre
Midway between the Vic and the Sedge Lynn on the ‘multiple visits’ front – I go to this pub on every CAMRA trail & several times in between. Not a scooby what it was like this particular time, although I’m pretty sure there was a mild on.

White Hart, Cheadle
To my dismay, the White Hart’s mild offering was Coach House Gunpowder Mild – a mild (and a brewery) which I prefer to avoid. I knocked it back – and, to be fair, it wasn’t positively unpleasant – and followed it with a half of draught Bass, which was a lot nicer.

Wilfred Wood, Hazel Grove
Spoons. Big. Main road. Titanic Nautical Mild. Er… that’s it.

Wine and Wallop, Didsbury
There was no mild on here. When I made the obligatory polite inquiry (see Ford Madox Brown, Head of Steam) the bartender lost several points by launching into a long and confident ‘splanation (see Head of Steam) of how they didn’t very often have mild on as such, it wasn’t a very popular style in this area, they had tried putting draught mild on but they’d had trouble selling it, and of course with draught mild you do need to be sure it’s going to sell, so they probably wouldn’t be having it on again, at least not very often, and so on.

QUIZ! Should I have
a) throttled him
b) said “That’s all well and good, but in that case why did you sign up for Mild Magic?”
c) said “The actual name of the bar is Wine and Wallop! What do you think ‘wallop’ is? It’s mild – that’s what it means! You’ve actually put ‘mild’ in the name of the bar!”
d) nodded politely and ordered something else

I went for d), of course – a pale ale from RedWillow, and very nice it was too. But still – spare me ‘splainers!

Nine pubs with mild on, three without; six (non-JDW) free houses, four Spoons, a Hyde’s pub and a brewery tap. Overall totals: 13(!) Spoons, 22 other free houses, 7 Holt’s, 4 Hyde’s and one each for Greene King and Tweed. Also, 39 with mild on vs 9 without, which isn’t too bad. (Also, two closed when they should have been open.) Ten pubs memorably busy (four of them Spoons), five completely deserted (three of them micropubs) – plus another four or five big pubs doing micropub levels of business. Most visits were at the weekend, with some weeknights and some weekday lunchtime visits; no weekday afternoons (in case you were wondering if that was why some of the pubs were deserted).

So, what’s going on out there? Pub-going is changing; like Spinal Tap, its appeal is becoming more selective. The progressive denormalisation of alcohol and social drinking, as a part of everyday life, is continuing to drive pub-going numbers down – or rather, it’s ensuring that losses in pub-going numbers (which are inevitable with social and cultural changes, plus the march of time) aren’t being made up by equal numbers of  new drinkers. There is a new breed – or a number of separate, partially overlapping new breeds – of drinker; it’s not just a few hundred hipsters, but on the scale of the population as a whole their numbers are tiny. We can get a false impression from looking in the wrong place, I think. People come from miles around to destination bars in the town centre (and Chorlton), and those bars get pretty crowded at times – but if they’re in town, those people aren’t drinking in the pubs where they live. Thanks to a range of social changes, many of them positive, pubs have lost what used to be their steady clientele (defined roughly as “every unmarried male over the age of 14 and a large proportion of the married men”) – and people who know their Beartown from their Beavertown aren’t going to fill a gap that size.

There are places where an old style of pub-going doesn’t seem to have gone away, but there are many others where it seems to have died completely, leaving big multi-room pubs waiting for a clientele that isn’t to come back (or not more than a couple of times a week). One strategy of adaptation is to forget about pub food, or else to go big on ‘dining’; Holt’s seem to be trying to do both at once, with predictably mixed results. (Perhaps they’re taking a leaf out of Sam Smith’s book; there are some very nice Sam’s ‘dining pubs’, as well as the more basic ones most of us are more familiar with.) Another strategy – which Holt’s, again, were early to adopt – is to grab a bit of that ‘craft’ market; that may be necessary, but it’s not going to be sufficient to keep big estates of big pubs afloat. (Going for the ‘craft’ market may not even be enough to keep a micropub afloat.)

“Do you drink something every day?” a friend who worked in public health once asked me. When I said yes, more or less (one or two dry days a week, and so forth) she said “Really?”, and looked at me as if I’d said I regularly put chip fat on my cornflakes. More precisely, her expression wasn’t so much disapproving as incredulous – a Regular Drinker! I never thought I’d actually meet one!. That’s the world we’re in now, pretty much; unless that wider trend towards denormalisation can be reversed, the pub industry’s going to be facing lean times – or rather, even leaner times.

(On the bright side, there is some excellent beer to be found out there – Great Heck Voodoo Mild, Tweed‘s Chester Mild and Stockport Arch 14 Mild (at the Grove Alehouse) were all impressive, and Hyde’s don’t-call-it-a-light-mild is still a very nice drop.)

Around Manchester on a half of mild – 3

Yet more random notes on pubs where I’ve recently drunk or attempted to drink mild, in no particular order (a.k.a. alphabetical order by name).

The Story So Far: I’ve identified six recurring Themes in my visits to (mostly) unfamiliar pubs, most of them not particularly cheerful:

  1. Not Enough Drinkers
  2. Too Many Beers
  3. Pub Food Is Dead
  4. Spoons Has Pros and Cons
  5. There Are Still Pubs
  6. Craft Is Everywhere

Also, I’ve written about 24 pubs – an encouraging 19 of which had a mild on – and got up to the letter M. Shall we proceed? I think we shall.

the Moon Under Water, Manchester city centre
Visiting this large town centre Spoons (and it is large, even for a Spoons) one weekday evening, I found it relatively quiet – which is to say, pleasantly busy by the standards of a lot of pubs. Acorn Darkness is a nice mild and was in good nick. Otherwise my only memory is of a youngish and roughish-looking guy, standing six feet or so back from the bar while he was waiting to be served and looking like a cat on hot bricks; he actually started pacing after a while. Being a few halves down myself by this stage, I found I was watching him without realising it; I took note of his severe haircut and the nasty-looking scar it exposed, pondered how rarely you see people who actually look like trouble in pubs (even in Spoons), then decided I should probably look away. Just as I did, he caught my eye and – rather than being keen to learn what I thought I was looking at – gave me a friendly smile. (I’ve been here 30-odd years and Manchester still wrongfoots me.) I glanced round a bit later and saw that he’d got served – a rum and coke and an extra glass of ice, which he promptly took outside. Maybe it was just that one drink between two was all he could afford; being up against it does make you nervous.

the New Oxford, Salford
This is one of those multi-ale free houses of the old school; specifically, one of those where I always feel it’d be a great idea to stay for another, but when it comes to it can rarely see a second beer I actually fancy. There’s a big middle ground out there of small brewers that are never going to be big enough for the supermarkets, hip enough for the craft bars or cheap enough for Spoons; pubs like the New Oxford are their natural habitat. In principle I’m all in favour, but in practice I’m not really a ticker – I do like to order something I actually recognise. This time, anyway, I had a half of perfectly decent dark mild from a brewer I’d never heard of, then havered over a bottle of something Belgian (the Oxford’s other speciality) but eventually left it. Boring, I know – blame the refurb. The Oxford has recently acquired a series of upholstered booths with fixed tables, but with the tables fixed at ‘posing table’ height relative to the seats, which in turn are fixed too close to the tables to stand up. The result is that you’re sitting with the table top just under your chin – not ideal.

the Old Monkey, Manchester city centre
I visited this town-centre Holt’s pub on a weekday lunchtime. It was silent as the tomb (Theme 1: Not Enough Drinkers). In the time it took me to drink my half, one person left and one came in, leaving the total clientele at 2 (until I left). The beer was in good nick and the bartender was chatty, asking me about Mild Magic and where I was up to with it.

If this write-up looks familiar, it’s because I got confused when I wrote up the Ape and Apple – a totally different town-centre Holt’s pub, which I also visited on a weekday lunchtime. Otherwise it was pretty similar, particularly the ‘silent as the tomb’ bit. But the chatty bartender was definitely at the Monkey, not the Ape. (Asking for trouble, really, those names. They’re only a couple of streets apart, too.)

the Paramount, Manchester city centre
This was a flying visit on a weekday lunchtime. It’s a Spoons, they had a mild, they had stickers. And, er, that’s it.

Park Inn, Monton
Monton is a bit of a walk out of Eccles, where the tram line ends; no great penance on a sunny Saturday morning. Never having been (to Eccles, let alone Monton), we didn’t know what to expect – and didn’t expect much – but found it quite a pleasant surprise. Apart from anything else, across the road from the Park we saw not one but two bars that seemed to be going for the ‘craft beer’ market, although neither was open at the time (Theme 6: Craft is Everywhere). The Park itself looked like a fairly unprepossessing flat-roofed estate pub from a distance, but turned out to be a vast, traditionally-furnished Holt’s pub. On tap were six cask beers (four Holt’s, two Bootleg) and five keg (three Holt’s, two Bootleg); there to drink them were the two of us and, as far as I could tell, five other people, dotted about the pub like solitary worshippers at a weekday church service. It was early – it wasn’t quite twelve when we left – but equally it was a Saturday. Themes 1 and 2, I’m afraid.

Petersgate Tap, Stockport
Having finished with Hazel Grove, I got a bus into Stockport where many fine pubs awaited. In the event I only went to one, though. The Tap (as nobody is calling it) was comfortably busy and came up trumps on the mild front (no, I don’t remember what it was). I followed the mild with a beer I’d fancied trying way back at Malt Disley – Torrside Take Me To Your Lemur, a darkish barley wine with vanilla. It’s sweet, but not excessively so; it’s 9.5%; it’s rather fine. (Although it’d be better on cask, obviously.)

Piccadilly Tap, Manchester city centre
Yet another mild that’s gone down the memory hole, I’m afraid. The Other Tap (as absolutely nobody is calling it) also featured in my search for food that weekday evening (see under: Crown and Anchor, Smithfield). Having been rather impressed by the Smithfield’s pork pie service – and still having a bit of a gap – I ordered a pork pie from the Piccadilly Tap’s bar snacks menu. The bartender opened the chiller behind the bar and handed me a small, flat object like a hockey puck, still in its waxed paper wrapper. Very nice pie (from Beehive), to be fair.

Platform 5, Cheadle Hulme
This was a big Holt’s pub, and it was busy – going on crowded – on the weeknight when I visited; I wandered the different rooms for some time before I could find anywhere to park my half of mild. (Theme 5: there are still pubs out there; pubby pubs, doing busy pub business.) There were food menus, but it was all a bit lamb-shank-and-rosemary-potatoes; no sign of the rather more cheap-and-cheerful menus I saw in the Holt’s pubs in the town centre. (Out of 48 pub visits, several of them taking place in the evening or at lunchtime, I ate in four, and only two of those were actually meals.) I eventually went and got a sandwich from Waitrose (there’s posh) before heading up the road to the Kenilworth and then Cheadle.

Queens, Hyde
Big town-centre Holt’s pub, Saturday lunchtime, busy as you like (Theme 5). Mild needed pulling through and was a bit watery – dirt cheap, though, as indeed was the Bootleg IPA I followed it with (viz. both £1.09, so presumably £2.18/pint).

Reasons to be Cheerful, Burnage
A micro-pub which fell comfortably in the “not many in” bracket – not a problem when the premises won’t accommodate that many (not a problem in atmosphere terms, at least). Great Heck Voodoo Mild was terrific – a sweet, malty dark mild but with a bit of porter-ish roast to it. The (keg) Magic Rock Mind Control (8% double IPA) with which I followed it was terrific as well, in a different way.

Rising Sun, Hazel Grove
I’d been to Whaley Bridge and come back via Disley; the train had taken me as far as Hazel Grove, where I could pick up the A6 and… well, walk, as it turned out; there seemed to be a fair bit of walking before I found the Grove Alehouse, and rather a lot of walking after that to find the Rising Sun. Which, I’m afraid, didn’t really repay the effort; that Saturday afternoon, it was just a rather empty bog-standard ‘roadhouse’ pub, with no qualifying beers and a bartender who’d barely heard of mild, let alone Mild Magic. I’m surprised to discover online that it was closed, and short of a landlord, as recently as April; it seemed fine when I was there, just not very interesting. Hey ho – onward to the Petersgate Tap…

Sedge Lynn, Chorlton
What is there to say about the Sedge Lynn? Not a lot, really: it’s my local Spoons; it’s on the rough side for Chorlton (my daughter won’t go near it after an unfortunate bad language incident when she was much younger), but I’m rather fond of it all the same. Also, they had a mild on and there was no problem with the stickers. What more can you ask?

Eleven pubs with milds on, only one without; three Spoons’, five (non-JDW) free houses, four Holt’s. (Running total: 30 with a mild on, six without.)

In part 4: S is for Stalybridge, T is for Urmston, V is for Withington, W is for West Didsbury and that’s your lot.

When Crafty met Spoony

Saturday. Takeaway. Couple of drinks before I pick it up. Where’s close? Big Spoons. Little ‘craft’ bar. Excellent beer. Really excellent. Pricey though, some of it.

Spoons tokens. Haven’t spent any of them so far. Don’t really need them at the moment, but still. Leaving money on the table. Just take a couple in case.

Craft place? Well, I’ve come this far – I’ll just go a bit further and see what the Spoons has got on. They have some good stuff, sometimes.

Usual suspects. Blonde Witch. That Acorn special could be good. Kelham Island, they still turn out some good stuff. Mobberley, they’re OK. (“Boom Juice”? Really? Catch me ordering that.) Oh, and there’s a porter. First pint sorted!

£1.79 a pint, I mean, come on. I mean, get in. Daft not to.

Table outside. Can see the craft place from here. Might head down there for my second pint. Might go for a half of something silly. They do some great strong beers on keg. Pricey, though, some of them.

That porter… it’s good. No, I mean it, it’s fine. I mean there’s nothing wrong with it. Seriously, just as the beer that it is, you know… It’s an enjoyable beer, if you don’t think about…

You just feel a bit cheap after a while, that’s the thing. Or, maybe not cheap exactly, but a bit… off. A bit, kind of, is this what I’ve come to. Is this the kind of person I am?

Fag ash on the table, and everything. And the porter, I mean, it’s good, but…

Definitely head to the craft place for the next one. Come on, here’s me with my Blue Harbour shirt and my iPhone and my London Review of Books, I must stick out a mile.

Still. This porter’s actually pretty good, if you give it a bit of time and attention. By the time you get to the bottom of the pint, it all comes together rather well.

Better get that takeaway ordered.

There goes the porter. That Mobberley pale ale would make quite a good contrast, when you think of it. And I mean, £1.79. Daft not to.

Very nice indeed. Really very nice indeed. Felt like a right idiot ordering, but can’t be helped.

Might just dip into the craft place after, if there’s time before my food’s ready. Half of something. Really excellent beers. Bit pricey, though, some of them.

Mmm, Boom Juice.

See all sorts here, that’s the thing. See a bit of life. Not like the craft place, where they’re all just sat there with their iPhones and their Blue Harbour shirts, drinking a half of this and a third of that – excellent beers, don’t get me wrong, but some of them are way too pricey.

And you know, if you were sat there on a Saturday night with your iPhone and your London Review of Books – sat there paying a fiver a pint, a fiver for two-thirds, a fiver a half for some of them… I think you’d just feel a bit flash after a while. Or, maybe not flash exactly, but a bit… off. A bit, kind of, is this what I’ve come to. Is this the kind of person I am?

Ah, there goes my phone alarm – best drink up.