What shall we say about Ticketybrew? The first thing I want to say is that they’re making some of the best beers around at the moment, particularly on cask. If I see one of their distinctive pump clips I invariably make a bee-line for it; I’ve very rarely been disappointed, and I’m often genuinely impressed.
So: if the beer’s that good, what’s standing between Ticketybrew and the big time? Why aren’t we hearing their name bandied about alongside Blackjack and RedWillow, or Cloudwater at a pinch? Why, not to put too fine a point on it, aren’t they hip? There are three reasons, I think. One, I’m afraid, is the name; the design is brilliant, but the name is just a bit naff. The beer would gain credibility overnight if they changed the brewery’s name to something resonant and mysterious (“Liquid Void”, “GreenRail”…) – or even something plain like ‘Ticket’.
The second problem is the sheer hyperactive sprawl of the beer range. I’m in two minds about this – I’ve got fond memories of the Marmite Stout and the Rhubarb Berliner Weiss – but I can’t help feeling, as I said of Blackjack two years ago, that Ticketybrew could do with just slowing down. In peak condition, the Dubbel, the Tripel, the Pale, the Blonde, the Stout, the Golden Bitter and that double-hopped pale ale I had the other night are all absolutely stunning beers; how many more new and interesting fruit-machine combinations does the world need? At the end of the day, nobody likes a novelty merchant.
The third reason has to do with consistency. Consistency isn’t an issue for all of these beers – every Jasmine Green Tea Pale I’ve had, on bottle or cask, has had just the same light, flinty dryness. Even where it is an issue it’s not necessarily a problem; there’s a definite variability to most of their cask beers, I’ve found, but not in a bad way. Where the Pale and the Blonde are concerned, being slightly different every time even makes the beers more interesting. But for some beers, in bottle in particular, it is a problem – and that means it’s a problem Ticketybrew are going to have to surmount. If you look at Cloudwater, for instance, they’ve made their name on a few good beers and striking label designs, but also by getting consistency nailed: you may not know what a particular experimental hop pale ale will taste like, but you know that if you have it twice you’ll get the same again. As much as I love their best beers, Ticketybrew aren’t there yet, not for all of their beers – bottled beers in particular.
Overall I’d score Ticketybrew’s beer range something like this (with some double-counting for beers I’ve tasted in different conditions):
The figures in the left-hand column are pretty impressive – that’s eight cask beers (plus the Tripel on keg) which are worth travelling across town for. I know that Ticketybrew are expanding; perhaps this is also an opportunity to get the consistency of their bottled beers sorted, whatever that actually involves (automated bottling? filter and re-seed? bottle in a cleanroom?). If they can pull that off, they could be world-beaters. Especially if they can slow down a bit on the fruit-machine style-ninja front – and maybe, just possibly, think about a name change? (“Thirsty Void”, there’s one nobody’s using. “Dark River”, “Electric Chill”, “BlueWindow”… Or maybe something plain like “Ticket”.)
HOPEFUL UPDATE 6/10 Had a bottle of the Blonde this evening; it was in better condition than I’ve ever tasted it in bottle, mellow and fruity without even a hint of sharpness. If this is how it’s going to be from now on – and I do hope it is – I’ll be recommending Ticketybrew beers in any format and without any qualification. (Even if they keep the name.)