Session #131 – 3, 2, 1

I dip in and out of ‘The Session’ – more out than in – but this month’s theme – supplied at short notice by Jay Brooks, onlie begetter of TS – caught my interest.

1. What should we call it?

Jay: what one word, or phrase, do you think should be used to describe beer that you’d like to drink. Craft beer seems to be the most agreed upon currently used term, but many people think it’s losing its usefulness or accuracy in describing it. What should we call it, do you think?

I’m not as fussed about ‘craft beer’ as a term as I used to be; I’m happy to concede that I know pretty much what it means in practice – probably a new-ish brewery, probably one of a fairly small range of styles (pale’n’oppy, stout, sour), probably keg and probably sold at a mark-up. It doesn’t wholly describe beer that I’d like to drink, though, particularly given that one of my beers of 2017 was Harvey’s Sussex Best. (Harvey’s might qualify under the US definition of a ‘craft brewery’, but that’s a whole other can of worms.)

What to call it, then – what one word or phrase can cover Harvey’s Best, Marble Pint and (for example) RedWillow Restless, an “imperial Vietnamese coffee porter” (8.5%, keg)? It is, in the immortal words of Flann O’Brien, “nearly an insoluble pancake, a conundrum of inscrutable potentialities, a snorter.” I propose a simple solution: call it beer. To put it another way, call the good stuff ‘beer’, and demand that what we call ‘beer’ is good stuff. This is what CAMRA is all about, as far as I’m concerned – not celebrating ‘real ale’ but campaigning for all ale to be real, for all beer to be the good stuff. As I wrote six years ago (time flies eh?)

Perhaps it’s because I grew up in the 70s – when the old hippies were settling down and starting businesses – but I’ve always bracketed real ale with real bread and real cheese. I don’t want to live in a world where most people drink Carlsberg and eat processed cheese squares on white sliced, while the cognoscenti compare notes about their muslin-wrapped Stilton, their wood-oven ciabattas and their, well, you fill in the beer. … My ideal world is one where everyone is eating and drinking good wholesome stuff – where cotton-wool bread, ‘cheese food’ and whatever it is they brew in Moss Side aren’t even available.

The good stuff is ‘beer’; ‘beer’ is, or should be, the good stuff.

2. Two under-rated breweries

This one will be a bit quicker, and won’t surprise anyone who’s read this blog recently. It never ceases to amaze me that Ticketybrew don’t get more attention. Apart from anything else, they exemplify some of the worst (and most fashionable) tendencies of contemporary ‘craft beer’ – the restless search for new styles, leading to a different lineup every year; the use of obscure or defunct styles that can’t be checked against the original (Mumm, Grodziskie, Invalid Stout); the weird flavour combinations (‘tea and biscuits’ mild, Marmite stout); not to mention putting practically everything in small bottles, regardless of style or strength. I tell you, if it was Cloudwater doing all this we’d never hear the last of it.

Ticketybrew’s apparent inability to catch a break when it comes to ‘craft’ credibility is all the more baffling given that the beer is – as a rule – damn good. Their core range starts at ‘rock solid’ and goes up to ‘classic’; I haven’t had many Dubbels or Blonds better than theirs, or strong English bitters that were better than their Pale. There’s not much point me recommending their short-run brews, but I can assure you that I have fond memories of that Invalid Stout, not to mention the Bitter Orange Pale and their single-hop Citra. There’s not much that Duncan can’t turn his hand to, stylistically speaking; the results are never less than good and often superb.

Apart from them, I tend to think Marble are under-rated. They had a bit of a wobble a while back, since when Marble watchers have experienced a couple of realisations – “hey, they’re good again!”, followed quite soon afterwards by “wait a minute, actually they’re better than ever”. I’m going to have to make more of a study of those BA bottles, but if the one I have tried is anything to go by Marble may be sneaking up on phase three – “this isn’t just good, this is good“. So that’s my second pick. I guess I should be choosing somebody newer (Wander Beyond) or weirder (Chorlton) or just plain overlooked-er (Manchester), but “under-rated” includes “rated highly when they ought to be rated very highly” – that’s my story and I’m sticking to it.

3. Three neglected styles

This’ll be even quicker.

  1. Barley wine. I love a decent barley wine – and you so rarely see them. (Although the 6% ‘white stout’ I had last night came close.) Brewers! More barley wine in 2018! I know you aren’t going to sell kilderkins of the stuff – stick it in a keg, I won’t mind. (I’ll just think of it as a very large bottle.)
  2. Old ale. Anything like a dark, malty bitter, but a bit stronger; anything in the range from Young’s Winter Warmer (5.2%) up to Old Tom.
  3. Mild, especially light mild; also especially mild called ‘mild’, which is even more of a dying breed than light ditto.

Thanks for that, Jay – thought-provoking and fun.

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2 Comments

  1. pubcurmudgeon
    Posted 7 January, 2018 at 4:12 pm | Permalink | Reply

    It would be particularly nice to see some pale-ish barley wines (like draught Gold Label) as opposed to ones of Old Tom colour.

    • Phil
      Posted 8 January, 2018 at 8:44 am | Permalink | Reply

      Yes! It really seems to be a minority taste, though. I can think of two different beer festivals where I went for a barley wine as soon as I came in, and noticed it was still on when I left.

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