I never used to care about condition in cask beer. I think this is because I never used to get served beer in poor condition; occasionally you’d get a pint that was downright sour and have an interesting conversation with the barman, but flabby, lifeless, borderline-flat beer has always been a rarity in my experience. (At least, for beer out of a pump; with beers on gravity you take your chances.)
As noted a couple of posts ago, I had a pint of Dark Star‘s eponymous Dark Star a couple of weekends ago which looked like flat Coke; some vigorous pump-jockeying produced a bit of a head, but the effect was cosmetic – there was little if any carbonation left in the beer. And now this (a record of a weekend’s drinking):
Sedge Lynn (JDW)
Wicked Weed Sir Ryan the Pounder. Nice APA, in good nick.
Adnam’s Broadside. Big heavy dark bitter. Tired and flabby.
Milestone Welsh Dragon. Decent best bitter. Very tired, almost flat.
Milson Rhodes (JDW)
Kelham Island Zombies of the Stratosphere. Hoppy pale ale. Tasted fine, but almost completely flat – no condition at all. Seriously considered taking it back.
Adnam’s Broadside. In good nick (about time!).
Blackjack The River. Weird-tasting brown ale; will give benefit of doubt (brown ale). In good nick.
Coastal Hopmonster. Pleasant light golden ale (not a hopmonster!). In good nick.
This may not mean anything – apart from suggesting that the Gaslamp’s policy of only having two cask ales on (at most) isn’t entirely a bad thing. I may just have been unlucky in those three beers (or four, if we count the Dark Star the other week). But if condition problems are surfacing in outlets as diverse as the Font and the Beagle, on one hand, and two separate Spoons’ on the other, I do wonder if it’s a sign of something else – the most obvious candidate being over-supply, meaning that pubs can’t shift all the beer they have on before it gets tired. Just as ‘craft’ (or the idea of ‘craft’) goes mainstream, are we hitting Peak Beer – or Peak Bar?